This is a piece composed by Hossein Alizadeh a Persian composer of contemporary Persian classical music. It is an improvisation from a Sema or in other words a Sufi ritual. In this piece there are actually 2 ney players bouncing off each other. As one runs out of breath the other begins in harmony, with fading in and out.

This is an improvisation piece taken from a classical Persian composition by Kambiz Roshanravan called "beh yadegaare doost" or in English "In remembrance of a friend".

This piece was written in commemoration of Moulana Jalaleddin Rumi's 800th Birthday Anniversary.

This is a piece taken from the classical Persian composition called "Jaam-e Hasti".

This piece is taken from Baba Taher by the classical Sufi group Ahura. Baba Taher is a series of compositions named after the 11th century Persian poet of the same name, and also containing various quatrains of the poet Omar Khayyam.

This excerpt is sourced from the title piece Raaz-O-Niyaz (Mystery and Desire). Composed by Hossein Alizadeh and performed by the Sheyda and Aref Ensembles.

The following pieces are from Ney Nava, composed by Hossein Alizadeh and performed by Jamshid Andalibi.

This is the introduction played by Mohammad Mousavi, from the piece Ney and the voice taken from the album: "The Concert by Maestro's of Persian Music".

The following pieces are by Master Neyzan Hassan Kassaie, taken from The Dialogue Of Ney series of compositions.

A two part piece composed by Alireza Eftekhari called Ya Molla

Ashke Mahtab (Tears of moonlight) composed by Alireza Eftekhari

Avazeh Morghe Vahshi composed by Alireza Eftekhari

The following is an improvisation piece from the pop song Darajeye Daf (degree of hotness) by Afraz, Arix and Honey.

This is a traditional Turkish piece, the composer and date of composition are unknown. The piece is based in part on a soliloquy by the 13th century Persian poet Moulana Jalaleddin Rumi, which roughly translates to:
"Did I not tell you?"

Another traditional Turkish piece, the composer and date of composition are unknown, Though the melody is named after the historical figure Veysel Karani.

This is a piece by a Turkish composer Kudis Erguner. It contains a series of simple half and quarter octaves all falling together to make a very nice and haunting piece.